Here's my issue:
You can read the article here. Thank you to Paul!
Showing posts with label magazine. Show all posts
Showing posts with label magazine. Show all posts
Monday, March 21, 2016
Fresh 'n Green!
This half page I did for The Atlantic is out now. It concerns the potential for a deluge of marijuana ads on the scale of beer ads we experience currently, now that many states have legalized it, with many more possibly to follow. The article explains that due to farming advancements, growing the product has become cheaper, and it may soon become a commodity, complete with the marketing schemes of any other commodity.
Living in a state where recreational use is perfectly legal for adults 21 and up, I've already seen some of the products out there. From cheeba chews to sativa sarsaparilla, you can find just about any edible to suit your needs (or the oils and butters to make your own). Just waiting for the Super Bowl commercials to start hocking them...
Here's my issue:
You can read the article here. Thank you to Paul!
Here's my issue:
You can read the article here. Thank you to Paul!
Friday, August 14, 2015
Head over heels for The Atlantic
I've been looking forward to posting about this for a while now, but have been pretty busy. I have a piece in the current issue of The Atlantic (the September issue), for Caleb Crain's book review of Jonathan Franzen's new novel, Purity. I always love doing book review illustrations, and the fact that it was for the work of such a talented writer was the cherry on top.
I'm not going to go into a long description of the plot- you can pick up a copy and read the review, or better yet, the actual book- but suffice to say it revolves around a 23 year-old woman named Purity, or Pip for short. Pip doesn't know much about where she comes from: who her father is, or even her mother's real name. In order to find out who she is, she gets involved with a clearinghouse for internet leaks, thinking that the web must surely have some answers. It's on this journey of self-discovery that she apparently runs into trouble. As Crain explains, "Franzen has always been fond of putting his characters into a psychic distress so disorienting that they make decisions that topple them into even greater psychic distress." There are multiple mentions in the review of characters seeming to "fall" or "topple" into these situations, and continuing to plunge, "like Wile E. Coyote ricocheting down the sides of a canyon..." I felt that showing the character in some phase of tumbling was the way to go, and the AD agreed.
I also made a wider version for the website, which is also how it's displayed on my site:
This was a lot of fun to work on. Thanks so much to Lauren!
I'm not going to go into a long description of the plot- you can pick up a copy and read the review, or better yet, the actual book- but suffice to say it revolves around a 23 year-old woman named Purity, or Pip for short. Pip doesn't know much about where she comes from: who her father is, or even her mother's real name. In order to find out who she is, she gets involved with a clearinghouse for internet leaks, thinking that the web must surely have some answers. It's on this journey of self-discovery that she apparently runs into trouble. As Crain explains, "Franzen has always been fond of putting his characters into a psychic distress so disorienting that they make decisions that topple them into even greater psychic distress." There are multiple mentions in the review of characters seeming to "fall" or "topple" into these situations, and continuing to plunge, "like Wile E. Coyote ricocheting down the sides of a canyon..." I felt that showing the character in some phase of tumbling was the way to go, and the AD agreed.
I also made a wider version for the website, which is also how it's displayed on my site:
Monday, October 15, 2012
LMU interiors
I know you've been super psyched for it... here it is, my recent project for LMU Magazine! I worked with Pentagram Design on the Fall 2012 issue of Loyola Marymount University's superbly designed publication (see recent awards here). I was commissioned to do four full-page interior illustrations:
For the first illustration, the client wanted an image that conveyed the idea of celebrating the success of the school, focusing on how it is a team effort. The second article is about providing access to college, ensuring that the road to higher education is open (and features their famous clock tower). The third article discusses the school's endowment, and how it provides funding for education. They requested that the hill upon which the school sits be in the composition. So any Angelenos out there may notice Marina del Rey (or my simplified interpretation of it) on the left of the illustration. The fourth article examines the Jesuit tradition of charitable donations for education, dating all the way back to St. Ignatius himself.
Most of my work is fairly simple, usually consisting of blocks or shapes of color (much like my piece for Harvard Law Bulletin that I'll be posting soon), sometimes with a small amount of photo-collage for texture and accents (like this). The client in this particular case requested that since the images were so large, that they have a lot of depth and texture, and not be too flat or simple. So they're a little different than my usual style and incorporate a little more photo-collage, but the Art Directors and the client were very happy with the way they turned out, and so am I. Thank you so much to Barrett and D.J.!
Up next: Harvard Law Bulletin.
For the first illustration, the client wanted an image that conveyed the idea of celebrating the success of the school, focusing on how it is a team effort. The second article is about providing access to college, ensuring that the road to higher education is open (and features their famous clock tower). The third article discusses the school's endowment, and how it provides funding for education. They requested that the hill upon which the school sits be in the composition. So any Angelenos out there may notice Marina del Rey (or my simplified interpretation of it) on the left of the illustration. The fourth article examines the Jesuit tradition of charitable donations for education, dating all the way back to St. Ignatius himself.
Most of my work is fairly simple, usually consisting of blocks or shapes of color (much like my piece for Harvard Law Bulletin that I'll be posting soon), sometimes with a small amount of photo-collage for texture and accents (like this). The client in this particular case requested that since the images were so large, that they have a lot of depth and texture, and not be too flat or simple. So they're a little different than my usual style and incorporate a little more photo-collage, but the Art Directors and the client were very happy with the way they turned out, and so am I. Thank you so much to Barrett and D.J.!
Up next: Harvard Law Bulletin.
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