Thursday, October 27, 2011

Sukle shout out

The really cool guys and gals over at Sukle Advertising and Design have a post up on their blog today about my work. Their hilariously-named Lunchmeat Underpants blog showcases their favorite ads, ideas, concepts, illustrations, and other various cultural artifacts.


A while back I sent some of my self-promo stuff to Sukle, and to my surprise, received an invitation to go down to their office here in Denver. They were all super nice and welcoming, and it was a real pleasure to sit down and talk. If you're a Denver local, you're sure to have seen a bunch of Sukle's work around town. One of my favorites was their series of billboards urging residents to reduce their use of water on lawns. Thanks again, guys!

Tuesday, October 25, 2011

SHHHHHHH!

Here's a little piece I did for Whole Living Magazine not too long ago, for the November 2011 issue. I'm such a slacker at blogging, the issue probably isn't even out any more. The article explained how sometimes just shutting up and keeping quiet can really lead to a little peace and tranquility.


The author actually went on a retreat to a monastery and kept a vow of silence for two whole days (that includes texts, tweets, and emails)! She initially found the promise to abstain from talking difficult, but eventually discovered the experience was extremely relaxing. I wanted to focus on the abstinence aspect of the experience- not talking is kinda really hard (ever see that Seinfeld episode when Kramer tries to keep a vow of silence, but ends up telling Sally Weaver about George's man-love for a she-Jerry?). I eventually arrived at the concept of being tied up to prevent yourself from talking, and when you pull on the strings, it sort of looks like the meditation position of hands. So... shut up, find inner peace, and watch the butterflies go by. Thanks again, Muzam and Jamie!

Tuesday, October 11, 2011

Even the pet cemetery voted for Bob!

Yes, that is a Simpson's quote. Here's an interior illustration I recently finished for Columbia Law School Magazine, for the feature article on gerrymandering and the redistricting process:


One of the issues the article touched on is the way the redistricting process can affect elections. By re-drawing the borders of districts, minority communities can be split up, thereby having no impact on elections. The process can also separate an incumbent from his original constituents, or draw two incumbents into a single district, forcing them to run against each other. This link was passed to me while working on the job, and explains a little more. I wanted to show how drawing the district borders could potentially disrupt people's votes. The client requested that the image involve a district map in some way, so I drew some of the districts in the shape of a hand dropping off a ballot, which is cut off by the newly drawn border.

The art direction and page design was provided by the wonderful Barnett Group. Thanks again, Aileen and David! And thank you, Matthew.

Thursday, September 15, 2011

Long time no post!

I've been really busy these last few weeks, and I'd love to post this flurry of work, but they have all been for magazines that have yet to come out on the racks! As soon as they are published I will post. One project that I'm sure will be out soon (as they were going to the printer as soon as my final was in) was for Columbia Law School Magazine. I'm lucky enough to be gracing the cover, and have a full-page interior illustration.

On an exciting side note, I recently had the pleasure of sitting down with Anne Telford, the editor-at-large of Communication Arts, for an interview that will be featured in next January's Photography Annual. I don't want to post too much about it until the profile is published, but suffice it to say that I'm extremely grateful for the honor, and still a little incredulous why I should receive such recognition... But overjoyed nonetheless!

Monday, August 8, 2011

NY Times Book Review

Here's the NY Times Book Review illustration I finished a couple weeks ago. I was pleasantly surprised to get an email from Nicholas Blechman for another job, shortly after I had turned in my first piece for the Book Review (previous post). This one was for the book The Night Train by Clyde Edgerton, a story about two best friends and aspiring musicians, one white, one black, in Civil Rights era North Carolina.



It's always hard to get good color on newsprint, but for what it's worth, it looks really nice online here. Thanks again, Nicholas and Alicia!

Monday, July 25, 2011

As promised...

Here is the illustration I finished before we left on vacation, for Nicholas Blechman at the New York Times Book Review. It was for a review of Once Upon a River by Bonnie Jo Campbell. Illustrating book reviews are always a fun challenge. This one involved listening to lots of Neil Young, which wasn't a challenge at all. "Down by the River" seemed especially appropriate.



Thank you, Nicholas! Also coming soon... another piece for the Book Review (which involved listening to some Thelonious Monk)!

Wednesday, June 29, 2011

Praising poison ivy

This illustration ran in the Op-Ed section of the L.A. Times this past Sunday. The author wrote a very informative piece on poison ivy- from its benefits to nature, to its appearances through American history. There's also a frightening bit about possible effects on the plant from rising levels of CO2 in the atmosphere (Hint: No, its not in any danger of going away).



Read the article here, which also displays my illustration- surprising, as that doesn't usually happen with Op-Ed pieces. Wes Bausmith is the awesome AD who commissioned this, and put the headline in the ivy vine/dress. Very cool.

On a side note, the article to the right of my illo is an excellent piece written by Hagit Borer. Borer is an Israeli-American who will be on board The Audacity Of Hope, an American vessel taking part in the next flotilla bound for Gaza. I recommend reading her article as well.

Tuesday, May 31, 2011

Up in ARMs at the Wall Street Journal

This piece for the Wall Street Journal was finished a couple weeks ago, but the story was held over 'til this past week, when it ran in the Weekend edition. The article explains how some people are reconsidering ARMs (adjustable rate mortgages), now that their interest rates are much lower than those of fixed rate mortgages. However, it's a gamble, as interest rates could jump up in the next few years while the mortgage is still being paid off.



Read the whole article here. Thank you, Keith!

Tuesday, May 24, 2011

Communication Arts Insights interview!

My interview for the Communication Arts Insights page is up today. From the teaser on the homepage:
"Justin Renteria
comments on paleontology, the link between Tylenol and creativity, and the apology he owes to Steph Glaros."

Excellent. The Insights page has interviewed such legends as Edel Rodriguez, James Jean, and Gary Taxali, just to name a few. Check it out here. It's always an honor to be involved with CA- thanks again, Sue!

And coming soon to Draw Your Weapon- new work for the Wall Street Journal...

Monday, May 16, 2011

Nonslick interview

Pete Ryan is an illustrator, who aside from creating very smart, conceptual work, runs a blog called Nonslick. On this blog, Pete posts interviews with illustrators and designers, and even art directors, with questions that are well thought out, and tailored to the individual being interviewed.

He contacted me recently for an interview, and has just posted it on Nonslick. Check it out, along with the interviews of other artists, from Scott Bakal, to Anita Kunz, to Dave Plunkert and many more. Thank you again, Pete!

Monday, May 9, 2011

Getting metaphorical

My recent cover piece for the Washington Post's Capital Biz magazine ran yesterday. The story describes the recent multitude of venture capital firms in the area, providing investment for new, smaller businesses. Fairly dry stuff, so I had to get metaphorical on its ass!



And they did a great job of linking the article to the illustration by way of the headline. Brilliant copywriting. Thanks again, Mere! It was a real pleasure!

Monday, May 2, 2011

New Op-Ed piece for L.A. Times

This piece was finished last week for Wes at the L.A. Times, for the Sunday Op-Ed. It accompanied several stories by various authors writing about books: from the ones they had finally gotten around to reading, to the novels they will probably never finish.


It was awesome working with Wes again. The stories were online, but now I can't seem to find them. If I end up locating the page, I'll return the link.

Thursday, April 28, 2011

Comm Arts Illustration Annual 52!


My copy of this year's Communication Arts Illustration Annual arrived in the mail earlier this week. As usual, it's chock full of great work by some of the best illustrators working today. And as with the previous two years that my work was featured, I'm honored to be a part of it. The series for my recent Zoologica Graphica booklet is displayed on page 190, for anyone interested in checking it out.


And more news with regard to CA, I was contacted recently to be featured on the Insight page of the Communication Arts website. My interview will be up on the site Tuesday, May 24th.

Monday, April 25, 2011

Tout va bien!

Everything is fine... with regard to the situation concerning public employees in at least three states. Or at least that's what you would think due to the lack of coverage anymore. The airstrikes and predator drones in Libya, and the budget "debate" here in the U.S. have sort of squeezed that story out of the picture. Here's a piece I did recently about what the bills in WI, OH, and MI essentially do to collective bargaining for public employees.


They make it not exist anymore!

Monday, April 11, 2011

Luerzer's 200 Best Illustrators Worldwide!

I just received my copy of the Luerzer's 200 Best book. I have three pieces featured: one assignment for Wes from the L.A. Times, another for Joey, also at the Times, and one for Ronn for the Harvard Law Bulletin.



I'm honored to be considered by the judges as one of the "200 Best Illustrators Worldwide." To be considered for publication, the illustrator had to create the work within the past 18 months, and be nominated by an art director, or have been published in the archive before. There were 6,075 submissions from 1,139 illustrators in 44 countries.